Simply put, I find Splendor in the Grass to be one of the most moving, emotionally devastating films I've ever seen. But, as they say, the exception makes the rule, and this film completely cuts through any prejudgements I might have. I imagine the above are all criticisms that could easily be lodged against this film (or most of Kazan's career for that matter). Want us to think what you're doing is cool? Use an extended scene of slow-motion. Want to make someone cry? Just throw on some particularly heartfelt music. I also have come to realize that, like anything else, there are ways to cheat in film. The emotions can become so loud they threaten to squash everything else in their way, including thoughts and perspective. I guess most of the time I'm a little skeptical of movies, music, even people that incessantly wear their heart on their sleeves.
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